Rabu, 17 Oktober 2012

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Talon was once a Celt warrior cursed by his ancient gods. Following the murder of his sister, the dying Talon had made a deal with the goddess Artemis. He had been given one act of vengeance against the clan who betrayed him, in exchange for his soul and his eternal service as a Dark-Hunter. Talon has sworn to fight Daimons and rescue the human souls they've captured. He has never had cause to regret this choice - until he meets Sunshine Runningwolf. The unconventional Sunshine should be Talon's perfect woman. She is beautiful, sexy and isn't looking for a long-term commitment. But the more time Talon spends in her company the more he starts yearning for dreams of love and family that he buried centuries ago. But loving Sunshine would be dangerous for both of them - Talon is destined never to know peace or happiness while his enemies still seek to destroy him and everyone close to him...

  • Sales Rank: #1476352 in Books
  • Dimensions: 9.56" h x 1.40" w x 6.45" l,
  • Binding: Hardcover
  • 416 pages

Review
Say goodbye to the garlic-hating, crucifix-fearing vampires of old. With her steamy, action-packed Dark-Hunter novels, Kenyon is ushering in a whole different class of night dwellers. These new millennium models are gorgeous . . . An abundance of hot sex and snappy dialogue keep the plot both accessible and appealing. With its courageous, unconventional characters and wry humor, this fast-moving fantasy will fill the void left by the end of the "Buffy the Vampire Slayer" series.

From the Publisher
Welcome to book 2 of Sherrilyn Kenyon's exciting new paranormal vampire and demon series, Dark Hunter. Bursting onto the scene in 2002 with a Dark Hunter prequel, Fantasy Lover and the first book of the series, Night Pleasures, Sherrilyn continues to redefine the genre by bringing a fresh perspective only this imaginative writer can. Her rewards have been great, garnering her an almost cult-like following even before the books were published and her readership continues to grow at a phenomenal rate.

Her fans are not alone in acknowledging her rare talent. Critics, reviewers, peers and fans have awarded these books such top honors as RWA's Top Ten Books of 2002 (Fantasy Lover), RT Booklover's Reviwer's Choice Awards, and the Dark Hunter books stormed the Paranormal PEARL Awards by taking 4 out of 9 of the awards, with a fifth Dark Hunter nominee receiving an Honorable Mention.

These books burst with the kind of sarcastic humor that has made Buffy the Vampire Slayer popular, while keeping the sensuality and comedic often poignant adult situations of Sex and the City. As the author's website proudly proclaims, "Over Two Million Visitors Bitten. Will You Be Next?"

I hope you will join us as the legacy of the Mad, Bad and Immortal dark protectors continues with this latest installment.

From the Back Cover

Dear Reader,
Life is great for me. I have my chicory coffee, my warm beignets, and my best friend on the cell phone. Once the sun goes down, I am the baddest thing prowling the night: I command the elements, and I know no fear. For centuries, I've protected the innocent and watched over the mankind, making sure they are safe in a world where nothing is ever certain. All I want in return is a hot babe in a red dress, who wants nothing more from me then one night.
Instead, I get a runaway Mardi Gras float that tries to turn me into roadkill and a beautiful woman who saves my life but can't remember where she put my pants. Flamboyant and extravagant, Sunshine Runningwolf should be the perfect woman for me. She wants nothing past tonight, no ties, no long-term commitments.
But every time I look at her, I start yearning for dreams that I buried centuries ago. With her unconventional ways and ability to baffle me, Sunshine is the one person I find myself needing. But for me to love her would mean her death. I am cursed never to know peace or happiness-not so long as my enemy waits in the night to destroy us both.
--Talon of the Morrigantes

"Finally a paranormal writer with attitude, Buffy the Vampire Slayer meets Sex and the City!"-Mallory Kane, author of Heir to Secret Memories on Night Pleasures

"By turns funny and touching...a compelling story that will make you laugh out loud. The gods haven't had this much fun since Xena!" --Susan Krinard, author of Secret of the Wolf on Night Pleasures

Most helpful customer reviews

0 of 0 people found the following review helpful.
Sunshine was Adorable
By creativedeeds
Would someone tell me why it's taken me so long to pick up this series? Please? Okay, I know I have no one but myself to blame but seriously, I can't believe it's taken me this long to jump on the Dark Hunter train. Never fear though. I'm totally making up for lost time.

Talon was a mystery until now. He kept himself totally hidden and his swamp home, complete with alligators wasn't the only thing that kept people away. He kept his distance from everyone on purpose, but that all changed when he met Sunshine. There was just something about her he couldn't resist, but he had no choice.

Sunshine was a character that I loved from the moment I met her. She was a free spirit and she was as drawn to Talon as he was to her. She also didn't understand it any more than he did. Little by little she began to discover exactly who Talon was and why he needed to keep his distance. There were forces working against their avoidance of each other though. Through a lot of Night Embrace it was hard to tell which side readers should choose. That's just one of the reasons why this one was so hard to put down. There weren't only bad guys, there were impostors and people who you knew you couldn't trust but found yourself sympathizing with them anyway. It was more than a little intense.

One of the best parts for me was the very unique way that Sherrilyn Kenyon came up with to resolve some issues in Night Embrace. I also loved the twists and turns, and the humor in this book was adorable. Most of it was provided by Sunshine but she wasn't the only character that gave readers a few chuckles. The witty banter and relationships that exist between these characters is perfect. Yes, there were also some tears, but with the existence that some of these characters have endured, that's to be expected. Regardless of what they've been through, the characters definitely make this book and I'm looking forward to seeing much more of all of them.

A lot happened in Night Embrace, as if the romance and the avoidance between Talon and Sunshine weren't enough. This was a pivotal book for a lot of reasons. Lots of characters were introduced. A few mysteries were solved (a lot more were introduced) and some interesting back stories were given. There were even some appearances by previous characters that added to the intrigue. There's definitely a lot in store for everyone.

Dance with the Devil is next up and it features Zarek who was introduced in Night Embrace. Since the series worlds overlap, it's not only the 4th book in the Dark-Hunter series but it's also considered the 1st book in the Were-Hunter series. Is there any wonder there are so many books in this series? I'm not complaining though. I'm just starting out and I'm planning on loving every minute of it.

0 of 0 people found the following review helpful.
Night Embrace
By Gigi111
I really enjoy the Dark Hunter Series. I have read them all. The early ones are her best by far. Just the right mix of romance, mystery and paranormal fantasy. The only issue is that the further you read in the series the more violent the books become. I definitely recommend the book, I just caution people that when you get to books such as Acheron and Styxx, the violence and torture can become too much to read. I had a very hard time finishing the last book she wrote (Styxx) because of how graphic it was. Don't let these comments stop you from reading her books. Ms. Kenyon truly knows how to create a world all of her own and make you believe it really exists. Her fantasy world contains so many substories, plot twists, character relationships that I don't know how she keeps them all straight, but everything she writes flows smoothly from one book to the next. You become so familar with characters that you feel as if these people exist in you life. She is an amazing writer.

0 of 0 people found the following review helpful.
Great Female Lead
By vesme
This is the second novel I've read in the dark hunter series and fell in love more so with the female lead this time. I did have to take off a point for the use of "aye caramba" yes, I understand the writer wanted to get across the charisma and charm of this Latina character but being Latina myself a modern Latina woman would most likely use this expression as a complete joke. This slang term went out of style when Bart Simpson made it famous. However since I am not from New Orleans maybe the Latin culture there uses that term. It still annoyed me to no end and I'm glad she stopped saying it after the first chapters. I read these books for the mythology and background of the characters not necessarily for the love scenes although there are a lot of those in here. If you want some steamy love scenes I suggest Richille Mead's succubus series. These books are entertaining page turners and even though you can predict the SPOILER ALERT --------- happy ending the journey there is still worth any supernatural romance fan's time.

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Minggu, 14 Oktober 2012

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A Basic Course in Real Analysis, by Ajit Kumar

  • Published on: 2014
  • Binding: Paperback

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Sabtu, 13 Oktober 2012

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Raphael is a rare painter who was never out of fashion. This book addresses some of the interests of recent scholarship, which has changed the focus from concern with attribution and definition of Raphael's style and the classic style of the High Renaissance to more practical matters. Investigation of the intellectual and cultural history of sixteenth century Rome and Florence in the past generation have made it possible to put Raphael in the context of his patrons and his other contemporaries. Raphael managed what was no doubt the largest workshop to date and it provided the model for many artists who followed him. This leads us to an understanding of the privileging of invention over execution that takes place increasingly in the sixteenth century. Raphael became the model for artists, beginning already soon after his death and continuing after the collapse of the academic tradition in the late nineteenth century. This reverence is studied in the final section of this book, including an essay that traces changing tastes in restoring his paintings.

  • Sales Rank: #5033570 in Books
  • Brand: Brand: Cambridge University Press
  • Published on: 2008-08-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.98" h x .87" w x 5.98" l, 1.63 pounds
  • Binding: Paperback
  • 468 pages
Features
  • Used Book in Good Condition

Review
"Taken as a whole, the book will be a useful resource for undergraduates and the seriously enthusiastic layperson."
Time Literary Supplement

"All of the essays attempt to review major scholarship on their topics and to summarize the historical circumstances and intellectual milieu, making them accessible and helpful to the student approaching Raphael for the first time."
Renaissance Quarterly

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New Edition: With a new chapter addressing contemporary issues in end-of-life care

A runaway bestseller and National Book Award winner, Sherwin Nuland's How We Die has become the definitive text on perhaps the single most universal human concern: death.  This new edition includes an all-embracing and incisive afterword that examines the current state of health care and our relationship with life as it approaches its terminus.  It also discusses how we can take control of our own final days and those of our loved ones.

Shewin Nuland's masterful How We Die is even more relevant than when it was first published.

  • Sales Rank: #15405 in Books
  • Brand: Vintage
  • Published on: 1995-01-15
  • Released on: 1995-01-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .60" w x 5.20" l, .53 pounds
  • Binding: Paperback
  • 278 pages
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From Publishers Weekly
The 1994 NBA nonfiction winner, Yale physician Nuland's study of the clinical, biological and emotional details of dying was a 14-week PW bestseller.
Copyright 1994 Reed Business Information, Inc.

From Booklist
Drawing upon his own broad experience and the characteristics of the six most common death-causing diseases, Nuland examines what death means to the doctor, patient, nurse, administrator, and family. Thought provoking and humane, his is not the usual syrup-and-generality approach to this well-worn topic. Fundamental to it are Nuland's experiences with the deaths of his aunt, his older brother, and a longtime patient. With each of these deaths, he made what he now sees as mistakes of denial, false hope, and refusal to abide by a patient's wishes. Disease, not death, is the real enemy, he reminds us, despite the facts that most deaths are unpleasant, painful, or agonized, and to argue otherwise is to plaster over the truth. The doctor, Nuland stresses, should instill in dying patients the hope not for a miraculous cure but for the dignity and high quality of the remainder of their lives as well as of what they have meant--and will continue to mean--to family, friends, and colleagues. Nuland also has strong feelings about suicide and "assisted death": the doctor should be prepared psychologically and practically to help the longtime patient slip off the scene in relative comfort. William Beatty

From Kirkus Reviews
A sobering look at the clinical reality of death by a physician who wants it known that ``we rarely go gentle into that good night.'' Nuland (Yale Medical School; Doctors, 1988) takes the position that if we know the truth about the physical process of dying, we can rid ourselves of both our fears and our false expectations. By becoming familiar with the common patterns of illness, he says, we'll be better prepared to make appropriate decisions about continuing treatment or calling it quits. Nuland selects several common causes of death--heart attack, old age, Alzheimer's, violence, AIDS, and cancer--and, with unrelenting honesty and unsettling detail, shows precisely what happens to the body involved. His account of the decline and death of his grandmother--with whom he shared a bedroom until he was in his late teens and she in her late 90s--is unforgettable, as is his story of his well-intentioned mismanagement of the care of his older brother when he was dying of cancer. The emotional impact of these stories is quite different from that produced by the author's coldly clinical accounts (``a specific sequence of events takes place in people who bleed to death. At first, they will usually hyperventilate...''); but by demonstrating that dying is usually a messy business, Nuland succeeds in demythologizing death. His message is that the dignity we seek in dying must be found not in our final weeks, days, or moments--but in how we've lived our lives. Strong stuff: not for those who prefer to cling to comforting illusions about life's end. -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.

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193 of 202 people found the following review helpful.
Frank yet compassionate book about death & dying.
By David J. Gannon
What actually happens during "clinical death"? Why do we age, and what happens to the body? This National Book Award winner Particularly recommended for anyone in a position to explain these difficult processes to others. This award-winning account describes in frank yet compassionate detail just what most of us are likely to face when the time comes, Sherwin B. Nuland's How We Die combines erudition and eloquence in a refreshingly unsentimental look at the processes of death. A distinguished surgeon and gifted writer, Nuland illuminates the mechanisms of cancer, heart attack, AIDS, and Alzheimer's disease with precision and compassionate awareness.
Why read such a book? Taking away the fear of the unknown can bring courage and peace in the face of a difficult time. This book presents unpleasant facts in simple language that anyone can understand.
Chapters cover different types of death, making clear the physiological changes and medical choices that go along with each one. It addresses both medical and emotional realities of common conditions such as cancer, heart disease, AIDS, Alzheimer's, severe trauma, and just plain wearing out. (Be prepared to cry, since reading this book may make you experience feelings associated with people you love.)
What makes this book such compelling reading is that Nuland brings to this subject all of the depth and breadth of his background AND his deep concern for the human condition. His long career at a high-powered academic medical center (Yale), his knowledge of the history of medicine, of literature and philosophy, and his own personal losses are all woven into his thesis. He is thus highly convincing when he criticizes physicians for becoming seduced by the intellectual challenge of solving "The Riddle" and making recommendations not in the best interests of the patient/family.
But the power of the book is in its intensely personal depiction of these events and in the lessons which Nuland draws from his experiences. The message is twofold: very few will "die with dignity" so that (1) it behooves us to lead a productive LIFE of dignity, (2) physicians, patients, and families should behave appropriately to allow nature to take its course instead of treating death as the enemy to be staved off at any cost. Only then will it be possible for us to die in the "best" possible way--in relative comfort, in the company of those we love/who love us.
A "must read" for those of us in the baby-boomer generation who, unfortunately, are going to have to deal with a lot of what's covered in this book over the remainder of our lives.

1 of 1 people found the following review helpful.
Insightful and hopeful
By Julikins
I bought this book to help me understand so that I could better assist my sister who was diagnosed with stage four metastatic lung cancer. Dr. Nuland so accurately described the behavior of physicians when they come to the realization that there's nothing more that can be done for their patient. I have seen it with the treatment of my sister by her oncologist whom she has worked with the past six years looking to find effective treatment to provide my sister with a few more years of a productive life. When the therapy worked, my sister was a miracle case, now that it is not, my sister is scheduled with an assistant and when she does see her oncologist it is for a fleeting period.
I say hopeful because Dr. Nuland not only identifies the existing problem, but examines ways in which our health care system can be overhauled.
This was an excellent book not only from the perspective of a physician, but a humane and empathetic way to look at the process of dying.

2 of 2 people found the following review helpful.
Peace in living peace in dying
By bulent
The book needs to be taken very seriously I have personally lived a tragedy recently I have lost my beloved wife during the 15 months of desperate fight against the great killer she and us has suffered all the terrible medical interventions with no benefit at all Medicine needs a totally different approach for terminal ilnesses

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Rabu, 10 Oktober 2012

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Avancar Em Portugues: Livro + CD (Segundo O Novo Acordo Ortografico) (Portuguese Edition), by ANA TAVARES

Avançar em Português destina-se a um público jovem e adulto heterogéneo que pretenda aprofundar e aperfeiçoar os seus conhecimentos da língua portuguesa, ampliando o léxico e o domínio de certos usos e construções gramaticais e discursivas de maior complexidade. Este manual é composto por dez unidades que abordam temas diversificados e atuais que funcionam como ponto de partida para a leitura e compreensão de uma variedade de textos autênticos e para o desenvolvimento da expressão oral. Com o intuito de otimizar o exercício da competência comunicativa de forma integrada, os alunos são, no final de cada unidade, desafiados a realizar uma tarefa potencialmente motivadora e significativa, individual ou em grupo, relacionada com o tema trabalhado, mobilizando para tal fim os conhecimentos adquiridos e recorrendo à pesquisa.

  • Sales Rank: #2995678 in Books
  • Published on: 2012-02-15
  • Original language: Portuguese
  • Dimensions: 9.80" h x .59" w x 7.87" l,
  • Binding: Perfect Paperback

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0 of 0 people found the following review helpful.
Good content for advanced study
By Edward Mini Rozmówki
Good content for advanced study, keep in mind this is NOT Brasilian Portugues and the speakers accents are strongly continental. A voz do maschi e muito buro.

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Charles Ives: A Life with Music, by Jan Swafford

An illuminating portrait of a man whose innovative works profoundly influenced the course of twentieth-century American classical music.

Jan Swafford's colorful biography first unfolds in Ives's Connecticut hometown of Danbury, then follows Ives to Yale and on to his years in New York, where he began his double career as composer and insurance executive. The Charles Ives that emerges from Swafford's story is a precocious, well-trained musician, a brilliant if mercurial thinker about art and life, and an experimenter in the spirit of Edison and the Wright brothers.

  • Sales Rank: #113777 in Books
  • Published on: 1998-01-17
  • Released on: 1998-01-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.20" h x 1.40" w x 6.10" l, 1.66 pounds
  • Binding: Paperback
  • 544 pages

Amazon.com Review
This is a scholarly assessment of the American composer Charles Ives, whose life and work have remained enigmatic since his death in 1954. A successful insurance executive in Hartford, Connecticut, Ives used a considerable part of his tidy income to promote serious modern music, and despite his day job maintained a prolific output of scores himself. He was a robustly opinionated and confident individual who eschewed easy listening; his atonal works were considered almost un-American. Yet he also sought recognition that just eluded him in his lifetime. Ives is increasingly known around the world. Jan Swafford, himself a composer, should help win even more interest with this sympathetic biography.

From Publishers Weekly
Charles Ives (1874-1954) was the first great composer of American serious music (though he would have hated that phrase) and also, paradoxically, a pioneer in the nascent life insurance industry around the turn of the century, whose approaches are still known and followed. Inspired by his bandmaster father, he sought always to hear more acutely and to render a music at once popular and profound; and in his experiments with atonality and polyrhythms, he long anticipated the discoveries for which European masters like Schoenberg and Stravinsky are renowned. In his later years, as his own creative gifts faded, he lavished much of his considerable wealth on the promotion of his own, and others', music?as long as it wasn't "sissy" music, by which he meant anything too soothing to the ear. The perceived performance difficulty of much of his work, and its very different sound from what audiences were accustomed to, meant that his life was almost over before he began to be appreciated as a master, a profoundly American original. Swafford, himself a composer as well as a superb writer, has worked brilliantly on Ives's behalf: the depth of his research, his insights and his constant empathy have brought the old curmudgeon (and to many modern eyes, Ives must seem an absurdly anachronistic figure) to vivid life, at once a comic and a tragic figure?and in terms of his significance in American artistic life, on the level of Twain or Whitman. Photos not seen by PW.
Copyright 1996 Reed Business Information, Inc.

From Library Journal
In the past ten years, two excellent biographical studies of Ives have been published (Stuart Feder, Charles Ives: "My Father's Song," Yale Univ., 1992; Peter Burkholder's Charles Ives: The Ideas Behind the Music, Yale Univ., 1985). Here Swafford, a composer long fascinated with the music of Ives, has contributed an outstanding addition to this recent rekindling of scholarly interest. In the author's words, this is an "Ivesian" biography in the sense that the life and music are inextricably interwoven. In many ways, the book does resemble a work of Ives. It is sprawling, rich with fascinating details, quirky, opinionated (though the author is careful to identify his own speculations), and very appealing. The opening paragraph, for example, consists of one 203-word sentence that paints a colorful, Romantic portrait of the Ives homestead in Danbury, Connecticut, in a manner that will remind readers of Ives's own tonal landscapes. Though the book is written in very inclusive language, musicians will appreciate the occasional technical references contained in the endnotes?a fascinating section in itself. Highly recommended.?Larry A. Lipkis, Moravian Coll., Bethlehem, Pa.
Copyright 1996 Reed Business Information, Inc.

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28 of 29 people found the following review helpful.
A high-water mark in musical biographies.
By Bob Zeidler
Quite recently, I had the privilege of reading a copy of this book that was the personal copy of a musician who had been involved, in a rather unique way, in the centennial observation of Charlie Ives's birthday back in 1974. For reasons of geography, then musical interest, he "got to know" Charlie quite well, even if only 20 years after Charlie's death. I immediately ordered my own copy, while continuing to read the heavily-annotated copy of my musician friend. (It was rather vicarious pleasure, "looking over the shoulder" of this musician, to see what it was about the music, life and times of Charlie that fascinated him.)

In his early years, Ives was a one-man dynamo. Learning much of his music theory and practice from his father George Ives, who had been a very young (perhaps the youngest) Civil War band leader, and then from Horatio Parker at Yale University, he had more than a "thorough grounding" in the basics. However, unlike most American composers, particularly those of his and the following generation, he did not go to Europe for a post-grad internship with any known European composer, but simply set out on his own after matriculating from Yale. He went to New York City, employed as an insurance clerk for one full-time job, wrote music constantly for another full-time job, and had yet another career, had he wanted it, as organist and choir director for the Central Presbyterian Church in New York. During this period - leading up to his marriage in 1908 - he literally burned the candle at both ends. (Swafford goes on, later in the book, to posit why Charlie had this incredible burst of energy for the first 15 or 20 years of his adult life, but it's best that his reasons for this - and for Ives's shortened composing career - be left to you, the potential reader.)

Most anyone who knows anything about Ives knows that he became comfortably wealthy in the insurance industry, that during his active composing days little of his music was played by anyone, and that he was - literally and figuratively - burned out by the time he was only 40. For the remaining half of his life, much of it was spent editing, publishing and promoting his music and the music of others, including many friends, using the proceeds from his insurance success to underwrite projects for many composers who would have gone unnoted had it not been for him. Musical success - unlike business success - came too late in life for him to truly enjoy at least its artistic, if not financial, rewards. He was in his last years when Leonard Bernstein premiered his Second Symphony, and never lived to hear his masterpiece - his Fourth Symphony - premiered by Leopold Stokowski in 1965. Despite this, he was far from an unhappy man in his later years; philosophically resigned yet optimistic that his day might yet come would be the more accurate description.

Swafford's writing is simply wonderful. It tells the story of a true American iconoclast; an "original." The narrative flows beautifully without omitting anything of significance in Ives's life or about his music. (The book contains nearly 80 pages of endnotes, in which the musical marginalia are explained in exhaustive, but emminently readable, detail, to preserve the flow of the main narrative.) In parts, it is incredibly moving. I particularly enjoyed the extended "mating dance" of his courting of Harmony Twichell, who was to become his life-long helpmate (and who did live long enough to attend the Stokowski premiere of his masterpiece, as the guest of honor). Ives, ever the Victorian man if something else as a composer, would always refer to her, to third parties, as "Mrs. Ives." Yet their fifty years together could be a model for today's dysfunctional families. A beautiful chapter; one of the best in the book.

There's a curiously cryptic endnote that suggests a "what might have been." It is a fact that very little of Ives's music saw public performance before the early 30's, when Nicholas Slonimsky championed Ives and other "moderns." Yet another two decades were to pass until Bernstein premiered the Second Symphony. Yet, in 1910, while shopping in a music store in preparation for his final return to Vienna, where he would die in less than a year's time, Gustav Mahler purchased a fair copy - one of only two or three in existence - of Ives's Third Symphony. Swafford doesn't make that big a deal about this, but I do. I've always thought that Ives and Mahler, aside from being near-contemporaries, had more in common than they did in opposition. It is just conjecture - but truly fascinating conjecture - to think what might have happened had Mahler premiered Ives's Third Symphony at a time in the life of Ives when it really might have made a difference.

Just what was Ives, as a composer? Bernstein did him no favors by calling him "a primitive; a Grandma Moses of music" while at the same time championing his music. Back in those days, there were no labels like "atonalist," "serialist," "avant-gardist," "post-modernist," what-have-you, that we tend to use today to compartmentalize a composer. To me, Ives was, well... an iconoclast, an "original," and, if a label must be applied, our first "pre-post-modern." He was never imitated, at least not successfully, not only because he didn't have his own students as did other composers, but because by the time his music enjoyed sufficient - if not plentiful - performances, composers' agendas were different.

Fortunately audiences think differently, and do enjoy Charlie's music. And you will enjoy this book.

Bob Zeidler

19 of 20 people found the following review helpful.
A Great American Composer Brought to Life
By Robin Friedman
Charles Ives (1874-1954)was the first, and still probably the greatest, composer of a distinctly American art ("classical") music. His relationship to American music seems to me roughly parallel to Walt Whitman's relationship to American poetry and to Charles Peirce's relationship to American philosophy. Like Peirce, Ives was little-known during his lifetime. Furthermore, while many people may be aware of Peirce and of Ives, a much smaller number have much acquaintance with their works.
Ives was born in Danbury, Connecticut and remained throughout his life attached to his vision of the post-Civil War small-town New England of his childhood. His father, George Ives, was a bandmaster and the greatest influence on Ives's life. Ives was a musical prodigy who began composing at an early age, quickly picking up experimental styles. He showed great proficiency at the piano and organ. (Through young manhood, we worked Sundays as a church organist.) He studied music at Yale where his teacher was Horatio Parker, a then famous American who was trained in the music of German Romanticism. As a college student, Ives wrote music played for the inaugaration of President William McKinley.
After graduation from Yale, Ives became a millionare in the insurance industry where he pioneered many marketing techniques. He also became increasingly Progessive and politically active and actually proposed a constitutional amendment which would increase the power of the democracy in government decision-making. At the age of 32, he married Harmony Twitchell who, after his father, was the greatest influence on his life.
Ives wrote music in the midst of an extraordinarily busy life. Most people think of Ives as a trailblazer and iconoclast. He was indeed, but may of his earlier works, such as the Second and the Third Symphonies are easily accessible and have a feel of America about them similar to the feelings Aaron Copland evoked some three decades later.
Jan Swafford's biography movingly and eloquently describes the life of Charles Ives. This is a reflective, thoughtful discussion of Ives, his America, his music, and its reception. In addition to a thorough treatment of Ives' life and works, Swafford has three chapters which he titles "Entra'acets" which consist of broad-based reflections on Ives's music and its significance. Swafford's entire book is full of ideas which are intriguing in themselves. Of Ives's work, Swafford gives his most extended treatment to the Fourth Symphony (he sees Ives as essentially a symphonist) and to the Concord piano Sonata. But many works are discussed in detail which will be accessible to the non-musician. The book has copious and highly substantive footnotes and an extensive bibliography.
Ives's Americanness, humor, romanticism, modernism, optimism, and generosity ( Ives gave large amounts of money to his family and to musicians and music publications. He also paid for the publication of several of his important works when commercial publishers showed no interest in them.) come through well. Swafford sees Ives as the last American transcendentalist in the tradition of Emerson. At the conclusion of his book, Swafford writes of Ives (p. 434)
" [I]n his music and his life he embodied a genuine pluralism, a wholeness beneath diversity, that in itself is a beacon for democracy and its art. Aesthetically he is an alternative to Modernism, an exploratory road without the darkness and despair of the twentieth century. In spirit he handed us a baton and calls on us to carry it further. He suggests a way out of despair, but leaves it to us to find the route for ourselves. If we are alone with ourselves today, Ives speaks incomparably to that condition."

This book made me want to learn more about and to hear the music of Charles Ives. In its own right, it is a joy and an inspiration to read.

16 of 18 people found the following review helpful.
Ives, the Bucky Fuller of American music!
By Autonomeus
Charlie Ives was a visionary, an idealist, and apparently a manic-depressive. Swafford tells his story in a compulsively readable fashion, and wins you over to the side of the irascible composer. Ives never made any money from his music, in fact he subsidized it with the fortune he made in the insurance industry. But he was generous in supporting the work of other sympathetic composers as well, including Henry Cowell.

Ives was rare in that he was a genius not only in music, but in business. Ives made a fortune in developing the modern, mass-market life insurance industry. He wrote a tremendously influential pamphlet in 1910, "The Amount to Carry," which pioneered estate planning. Ives was an idealist and an altruist even as he became wealthy -- he convinced himself that insurance was socially progressive, and motivated his sales staff with his lofty vision of cooperation. Later in life, he developed this into a plan for a People's World Union!

Ives' great successes all came together, early in life, following his marriage. He composed on the side as he built his company, burning the candle at both ends. Swafford speculates that Ives was literally manic during those heroic years of the Teens, and that he subsequently crashed, enduring more depression than mania for the rest of his life. Interestingly, the Great War was such a blow to his idealism, he reacted physically, compounding his collapse. Ives retired very young, but rather than turn to composing, he found that he was unable.

The rest of his life was devoted to trying to find an audience for the works of his glory years. I found the book most interesting here, in situating Ives in relation to the more well-known Modernists of his time -- Schoenberg, Stravinsky, Varese and the others. The irony is that while Ives' music came about independently, it was "popularized," only through association with the European revolutionaries, and so he was widely perceived as an imitator. The world was only ready for Charlie's music after the ground had been broken! The story of Cowell, Slonimsky, Carter, Gilman and Bernstein, who championed Ives over many years until he was finally recognized, is fascinating.

This is supremely enjoyable reading. Jan Swafford clearly loves Ives, and I found his account irresistable.

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Senin, 01 Oktober 2012

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Metallurgy (5th) Fifth Edition, by B. J. Moniz

  • Published on: 2000
  • Binding: Hardcover

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