Jumat, 21 Oktober 2011

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Absolute Dark Knight [ABSOLUTE DARK KNIGHT -OS], by Frank Miller

  • Sales Rank: #8675994 in Books
  • Published on: 2005-08-30
  • Binding: Hardcover

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Rabu, 19 Oktober 2011

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Slash, by Anthony Slash;Bozza

From one of the greatest rock guitarists of our era comes a memoir that redefines sex, drugs, and rock 'n' roll

He was born in England but reared in L.A., surrounded by the leading artists of the day amidst the vibrant hotbed of music and culture that was the early seventies. Slash spent his adolescence on the streets of Hollywood, discovering drugs, drinking, rock music, and girls, all while achieving notable status as a BMX rider. But everything changed in his world the day he first held the beat-up one-string guitar his grandmother had discarded in a closet.

The instrument became his voice and it triggered a lifelong passion that made everything else irrelevant. As soon as he could string chords and a solo together, Slash wanted to be in a band and sought out friends with similar interests. His closest friend, Steven Adler, proved to be a conspirator for the long haul. As hairmetal bands exploded onto the L.A. scene and topped the charts, Slash sought his niche and a band that suited his raw and gritty sensibility.

He found salvation in the form of four young men of equal mind: Axl Rose, Izzy Stradlin, Steven Adler, and Duff McKagan. Together they became Guns N' Roses, one of the greatest rock 'n' roll bands of all time. Dirty, volatile, and as authentic as the streets that weaned them, they fought their way to the top with groundbreaking albums such as the iconic Appetite for Destruction and Use Your Illusion I and II.

Here, for the first time ever, Slash tells the tale that has yet to be told from the inside: how the band came together, how they wrote the music that defined an era, how they survived insane, never-ending tours, how they survived themselves, and, ultimately, how it all fell apart. This is a window onto the world of the notoriously private guitarist and a seat on the roller-coaster ride that was one of history's greatest rock 'n' roll machines, always on the edge of self-destruction, even at the pinnacle of its success. This is a candid recollection and reflection of Slash's friendships past and present, from easygoing Izzy to ever-steady Duff to wild-child Steven and complicated Axl.

It is also an intensely personal account of struggle and triumph: as Guns N' Roses journeyed to the top, Slash battled his demons, escaping the overwhelming reality with women, heroin, coke, crack, vodka, and whatever else came along.

He survived it all: lawsuits, rehab, riots, notoriety, debauchery, and destruction, and ultimately found his creative evolution. From Slash's Snakepit to his current band, the massively successful Velvet Revolver,Slash found an even keel by sticking to his guns.

Slash is everything the man, the myth, the legend, inspires: it's funny, honest, inspiring, jaw-dropping . . . and, in a word, excessive.

  • Sales Rank: #2909006 in Books
  • Published on: 2008
  • Format: Import
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.76" h x 1.46" w x 5.12" l, .73 pounds
  • Binding: Paperback
  • 352 pages

Review
“Wonderfully frank.” (Entertainment Weekly)

“Entertaining and educational...a crash course for aspiring rock gods.”” (Spin magazine)

About the Author

Slash, Velvet Revolver founding member and guitarist, lives in California with his wife, Perla, and their two children.



Anthony Bozza is the author of four New York Times Bestsellers, including Whatever You Say I Am: The Life and Times of Eminem, Slash, co-written with Slash and the #1 bestselling Too Fat to Fish, co-written with Artie Lange. Bozza was a staff writer and editor for Rolling Stone magazine for seven years, during which he profiled a diverse range of artists from Eminem and the Wu-Tang Clan to Trent Reznor and U2. He lives in New York City.

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0 of 0 people found the following review helpful.
Introspective talented guy who just happens to be an `eternal teenager`
By George M.
While Saul Hudson (Slash) turns out to be a warm and friendly, introspective talented guy who just happens to be an `eternal teenager` with a few idiotic premises, I'm going to drop one rating star on this oversized treatment of his life because of narrative repetition. We get it that he was heavily into booze and opiates all through his youth and adulthood until age 41, a year before this 2007 autobio ends. There is a solid 30% of the book describing the details of how the music was created through chaos and the amazing GNR story from top to bottom -- which is done very well -- and his unique upbringing by his very talented parents. But most of it is saturated with continuous drug exploits, each of which had a sameness to them. Drugs were a big part of the rock star image back in the day and these guys were all throwbacks; I have no argument about what they did or didn't do to party. That's life. The reader does realize this is a big part of Slash's life story, and he does clean up at the very end as the Velvet Revolver stage emerges, but Saul's booze-to-heroin-and-vice-versa addiction cycle is so repetitious in the book's pacing and so similar each time he describes it, that his narrative drags because you've heard it many times already. Coupled with the manuscript's long length, it did get a little monotonous. However, if you hang in there to the end as I did, you will discover a truly compassionate, intelligent, thoughtful man with the bright spirit of a great musician!

0 of 0 people found the following review helpful.
Excessively long and boring
By Sarahlea
Slash talks about a lot of things in this book, but most of them don't go anywhere to form much of a plot. It gives it the feel of reading a journal, but a very boring journal, more intent on documenting what drugs he did, where he was, and all of his relapses than anything truly meaningful. The juicy subjects he brings up that you really want to know about, he skims over, and seemingly doesn't know much more than anybody else why Guns broke up. I think the fact that he was on drugs so much of the time made the telling of his story disappointing, because there's a lot he wasn't fully present for, and doesn't remember enough to recount meaningfully. Not only that, a lot of misprints, errors, and awkwardly worded sentences make it difficult to enjoy this book. It was interesting to read about his early years, but other than that, he comes off as sounding very flip about everything. It makes me wonder if he even really wanted to write his story, or if he felt pressured to for some reason, and just wanted to get it over with. I was pretty disappointed with it.

0 of 0 people found the following review helpful.
Slash the Likeable Rogue
By G. YEO
My fourth rock biography in a row brings me to Slash of G & R. Slash is one of the last few classic rock icons from the modern era, which is why I read this. And as he describes it himself, Guns and Roses might well have been the last of its kind before Nirvana and grunge came in & morphed rock music.

I've always appreciated Slash as being a great axman and someone who could have gone further with G & R and rock music had they continued. But as we all know, G & R became Axl Rose Inc. and that was that.

As an individual, Slash has a tabloid worthy past and personality of his own that keeps his tale an interesting one. Despite careening through a chaotic childhood as a juvenile shoplifter, Slash eventually found his true calling through the guitar. It's like Arthur finding Excalibur, as recounted by Slash. Without the guitar by his side, he would have remained a misfit without a focus. In the book, we find out about how his dedication to his craft kept him going until his fateful encounter with Guns & Roses. Although the story of G & R's rise has been documented here and there, it's nice to hear from one of the seminal members.

As with most rock bios - drugs, booze and sex come with the territory. A chronic dope fiend, there isn't much to admire about Slash, but his honesty, childlike charm, and mostly likeable personality come through. In spite of everything, Slash's life really was a train wreck from which he re-emerged from again and again. From being the biggest band on earth, we get some insight into how Axl Rose's need for control torpedoed the band's future - and Slash's ability to continue. But the story's not done yet...this book was released back in 2009 and takes us halfway into Velvet Revolver's journey, so the book is probably due for an update...

Whatever the case, kudos to Slash for a highly readable story, and moving on after G & R to other pursuits, and starting a family.

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Kamis, 13 Oktober 2011

[Y279.Ebook] Download Coloring DC: Batman: Mad Love Featuring Harley Quinn (Dc Comics Coloring Book), by Paul Dini

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Coloring DC: Batman: Mad Love Featuring Harley Quinn (Dc Comics Coloring Book), by Paul Dini

DC Comics joins the Adult Coloring Book craze with all of its most popular characters in COLORING DC: HARLEY QUINN IN BATMAN ADVENTURES: MAD LOVE! DC Comics presents classic adventures in a whole new way: in black and white, on heavy stock suitable for coloring! This adult coloring book features the popular characters Batman, Joker and Harley Quinn, drawn in the style popularized by Bruce Timm from BATMAN: THE ANIMATED SERIES!

This Eisner Award-winning tale includes the origin of Harley Quinn from MAD LOVE, plus stories from BATMAN ADVENTURES ANNUAL #1 and BATMAN ADVENTURES HOLIDAY SPECIAL #1.

  • Sales Rank: #42937 in Books
  • Brand: DC Comics
  • Published on: 2016-03-22
  • Released on: 2016-03-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.49" h x .36" w x 7.50" l, .75 pounds
  • Binding: Paperback
Features
  • DC Comics presents classic adventures in a whole new way: in black and white, on heavy stock suitable for coloring!
  • This Eisner Award-winning tale told the origin of Harley Quinn, by the creative team that first introduced her in Batman: The Animated Series!
  • The Batman Adventures: Mad Love Coloring Book Includes the Mad Love story, plus stories from Batman Adventures Annual #1 and Batman Adventures Holiday Special #1.
  • Ages 13 and up.

About the Author
Paul Dini is a multiple Emmy and Eisner Award-winning writer and producer who has helped redefine the legends of the DC Universe in such series as The New Batman/Superman Adventures, Batman Beyond, Krypto and Justice League Unlimited. In comics he has authored THE WORLD'S GREATEST SUPER-HEROES, illustrated by Alex Ross. Dini has also collaborated with Chip Kidd on Batman Animated for HarperCollins.

Most helpful customer reviews

27 of 27 people found the following review helpful.
94 Black and White pages of Batman and Harley Quinn Stories – printed on both sides of page
By iiiireader
[[VIDEOID:b40e2b838a1a77a244fd8dc4523ef90]]This is my second in the series of Batman coloring books. Once again, the stories in the book seem to be the same artwork as used in comics but with the colors removed. There is a lot of heavy black but that's okay with me. In order to darken the black or bring out details if I have colored over an area, I simply use my black pencil to darken the area/line again.

What I really like about being able to “color my comics” is that I can now color my characters in traditional ways or pick my own color palette and go for it. For my first project in this book, I've chosen to go more on the traditional side but I will certainly have fun with colors in future projects.

I'm hoping to see more comics available in coloring format. I will be looking for more of my favorites in the future. I've seen that DC Comics has a few on the back burner that are of interest to me as well.

I will provide more details below about the physical book but here is an overview of what I found in this coloring book:

94 pages of black and white graphic novel plus title page
Design printed on both sides of page
Paper is heavyweight and non-perforated
Three designs merge into the binding
Binding is both sewn and glued
All markers (alcohol and water) and India ink pens bleed through the page
Gel pens leave a shadow of color on the reverse side
Coloring pencils work fantastic with this paper

The designs are printed on both sides of the white, heavyweight, non-perforated page. This is exactly what I expect from this type of coloring book as it is really a graphic novel. The binding is glued and sewn which makes it really sturdy but almost impossible to remove pages from the book. I don't intend to do so anyway, so no problem for me.

Only three designs merge into the binding and only one of those three designs is spread across the binding onto two pages. I was able to get the book to lay fairly flat but it took some effort to crease the spine enough. As I said before, the binding is really sturdy in this book.

I test a large variety of coloring medium on my books. I'll list the type of tests I do as well as the medium I used for this book in the comments section below. Here is what I found:

Alcohol and water-based markers and India ink pens bleed through the page and will ruin the designs on the backside of the page. Gel pens leave a shadow of color that is easily seen on the reverse of the page.

In the end, I can only recommend coloring pencils for this book and those I recommend highly. My soft lead pencils went on thick and I was able to blend them really easily. My hard lead pencils went on sharp and are perfect for the tiny spots in the designs and did not leave dents on the back of the page.

6 of 6 people found the following review helpful.
So well made; just wonderful!
By Katz
Wow! I have never seen a coloring book so well made in my life! Those adult color books nowadays have nothing on this! It is thick, well made, BIG and lovely! I almost don't want to color it in. I was also suprised that it was the complete story; though it was stated, I still wasnt sure. and you gotta love the cover. At first I was skeptical, like "wow, i really just ordered a coloring book for 11 bucks" but it was way more worth it than I previously thought. Great Buy and great part of my collection

2 of 2 people found the following review helpful.
I loved it, and didn't even need to color it!
By Neil A. Hansen
I didn't get this to color I must confess, but to see the amazing artwork,of Bruce Timm in black and white. This does not disappoint. I reread the stories, too. What solid material. Fans of Batman: The Animated Series should get this to see the approach of series designer Bruce Timm on the comics end.

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Coloring DC: Batman: Mad Love Featuring Harley Quinn (Dc Comics Coloring Book), by Paul Dini PDF
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Rabu, 12 Oktober 2011

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In Paradise: A Novel, by Peter Matthiessen

The bestselling final novel by a writer of incomparable range, power, and achievement, a three-time winner of the National Book Award.
 
Peter Matthiessen was a literary legend, the author of more than thirty acclaimed books. In this, his final novel, he confronts the legacy of evil, and our unquenchable desire to wrest good from it.
 
One week in late autumn of 1996, a group gathers at the site of a former death camp. They offer prayer at the crematoria and meditate in all weathers on the selection platform. They eat and sleep in the sparse quarters of the Nazi officers who, half a century before, sent more than a million Jews in this camp to their deaths. Clements Olin has joined them, in order to complete his research on the strange suicide of a survivor. As the days pass, tensions both political and personal surface among the participants, stripping away any easy pretense to resolution or healing. Caught in the grip of emotions and impulses of bewildering intensity, Olin is forced to abandon his observer’s role and to bear witness, not only to his family’s ambiguous history but to his own.
 
Profoundly thought-provoking, In Paradise is a fitting coda to the luminous career of a writer who was “for all readers. He was for the world” (National Geographic).

  • Sales Rank: #216078 in eBooks
  • Published on: 2014-04-08
  • Released on: 2014-04-08
  • Format: Kindle eBook

Amazon.com Review

An Amazon Best Book of the Month, April 2014: Peter Matthiessen, three-time National Book Award winner and esteemed author of both fiction and nonfiction, has never backed away from writing about difficult subjects. In his new novel In Paradise, he sets his story in the mid-'90s at a spiritual retreat at Auschwitz. The novel centers around Clements Olin, an American academic of Polish decent who has traveled to the concentration camp for reasons both spiritual and personal. While Olin makes his own journey, dealing with the bouts of sadness, horror, and absurdity--and even occasional joy--that accompany such a retreat, we are introduced to a group of characters all experiencing their own version of observance and remembrance. The result is a novel that is as profound as anything that Matthiessen has written before. --Chris Schluep

Praise for Peter Matthiessen:

“You could well school yourself as a young American writer, in the early 21st century, by reading and then rereading the works of Peter Matthiessen. But of course he wasn't just a writer's writer; he was for all readers. He was for the world.” --National Geographic

Praise for IN PARADISE:

“Matthiessen’s descriptions are poetic and scarifying…he creates indelible vignettes about what remains and what took place here. Like the rest of Matthiessen’s vast body of work, “In Paradise” leads us into questions that define our most profound mysteries.”--The Washington Post

“The beauty of [In Paradise] comes in [Matthiessen’s] powerful descriptions. With his command of the language, he can add something new and profound to that vast library of Holocaust literature. In Paradise allows Peter Matthiessen to once again demonstrate that he remains one of our most powerful writers.”--The Miami Herald

“The conflict between the drama of the self and its surrender in the shadow of the Holocaust is Matthiessen's bold subject...powerful.” –New York Review of Books “Peter Matthiessen's In Paradise is a deeply intelligent study of Holocaust remembrance… bleakly funny… [and] eloquent” --The Wall Street Journal

“A fitting coda to [Matthiessen’s] career… Where better to look for some sort of human essence than in a landscape that embodies us at our worst?...This is the key message of Matthiessen’s life and writing -- that we are intricate, thorny, inconsistent, that the lines between good and bad blur within us, that we are capable of anything. The only choice is to remain conscious, to engage with openness.” --Los Angeles Times

“Written with a young man’s energy, In Paradise possesses an old man’s wisdom, which eschews the presumptions of age and the easy attainment of certitude." –The Daily Beast “In Paradise is a fitting final addition to Matthiessen's oeuvre, in that it combines moral seriousness and imagination grounded in the world with elegance of expression and a willingness to take risk.” --National Geographic

“[In Paradise] … provides rare insight into the dark magnetism of a brutal landmark. What drives a survivor to return? What inspires conflicted visitors to join hands in spontaneous dancing? Matthiessen’s courage and clarity in addressing this topic [were] signal virtues of his career.” --Newsday

“In Paradise is…contemplative and moving, and in its haunting story of Holocaust survivors who revisit Auschwitz, we find one of the last century’s greatest authors penning a book worthy of his legacy.” --Grantland

“Matthiessen’s writing flexes the same kind of muscularity as others of his generation— Vonnegut, Styron, Doctorow—but his devotion to Zen Buddhism results in a spiritual journey that’s palatable even to the non-spiritual… [his characters] are fully realized people, and within them are the kernels of horror and joy shared by all of humanity” --A.V. Club

“Matthiessen can write with ecstatic beauty… In his new novel, In Paradise, he takes what may be his deepest look yet into the abyss…Profound and fiercely fresh.” --Tampa Bay Times

"An ambitious tale that tries to do nothing less than achieve some understanding of 20th century Europe’s defining event, the Holocaust.” --Buffalo News

“An eloquently written and thought-provoking novel… In Paradise demonstrates that Peter Matthiessen remained a vital part of America’s contemporary literary scene, an unflinching original who continued to write provocative narratives.” --Counterpunch

“Short and austere… Clements’ story and those of the others are anguished inquiries, harrowing reassessments and attempts — emotional, artistic and spiritual — to grasp the ungraspable.” --Minneapolis Star Tribune

“[In Paradise] deftly and ruthlessly pursues the battles that we face, both individually and also in dialogue with others, when we try to engage with horrors that can never be named.” --The Jewish Book Council

“An earnest, informed, often insightful and…subtle novel.” --Christian Science Monitor

“Contains some of the most frightening and passionate writing of Matthiessen’s long career … With In Paradise, Peter Matthiessen has created philosophical and moral cacophony of lasting worth and, indeed, of a strange power. It belongs on the shelf beside At Play in the Fields of the Lord, Far Tortuga, and Shadow Country. Of how many books can that be said?” --Open Letters Monthly

"Not a mere recounting but a persuasive meditation on Auschwitz’s history and mythology...Matthiessen uses scenes of confrontation, recollection, bitterness, and selfexamination to trace aspects of culture that led to the Holocaust and that still reverberate today." --Library Journal (starred review)

"Matthiessen…ponders Auschwitz decades after the Holocaust, in a novel that’s philosophical, mordant and surprisingly romantic…An admirable…study of the meaning of survivorship." --Kirkus Reviews

From Booklist
*Starred Review* After participating in three Zen retreats at Auschwitz, Matthiessen addresses that experience with what, at 86, may very well be his final novel. With In Paradise, the two-time National Book Award–winner doesn’t shy away from boldly tackling the most profound of subjects. And as protagonist Clements Olin wonders, what “fresh insights into the horror of the camps” remain to be had, especially from someone without direct experience of the camp? Olin, a Polish-born American scholar and “Holocaust authority,” joins an ecumenical group that includes Germans, Poles, Israelis, Jews, Catholic nuns, and Zen Buddhists at the death camp for “a fortnight of homage, prayer, and silent meditation . . . to bear witness lest the world forget man’s depthless capacity for evil.” Some attend to alleviate shame or guilt, while others are tourists and Holocaust voyeurs and still others are looking for some sort of closure or healing. But earnestness is overrun with grievances as, Olin observes, “behind all the good will, there are so many old hates.” Arguments, accusations, and old resentments erupt, disrupting any silent meditation. Olin’s motivations for attending are initially obscure, but we learn that his family might not all have escaped to the U.S. when the Nazis came to power in Poland. Matthiessen expertly raises the challenges and the difficulties inherent in addressing this subject matter, proving, as the muralist Malan says, that the creation of art “is the only path that might lead toward the apprehension of that ultimate evil . . . that the only way to understand such evil is to reimagine it.” HIGH-DEMAND BACKSTORY: The world-renowned naturalist and author Peter Matthiessen, in his first work of fiction since the 2008 National Book Award winner, Shadow Country, pens what may be the 86-year-old author’s “last word” in this powerful novel about the Holocaust. --Ben Segedin

Review
A Newsweek Best Book of 2014

Praise for Peter Matthiessen:

“You could well school yourself as a young American writer, in the early 21st century, by reading and then rereading the works of Peter Matthiessen. But of course he wasn't just a writer's writer; he was for all readers. He was for the world.” --National Geographic
 
“Matthiessen was unique in our literature, a descendant of Melville and Dostoyevsky who chronicled the heart of darkness at the center of the American fever dream. … The loss to American letters is immeasurable.” -- LA Review of Books

Praise for In Paradise:

“Matthiessen’s descriptions are poetic and scarifying…he creates indelible vignettes about what remains and what took place here. Like the rest of Matthiessen’s vast body of work, “In Paradise” leads us into questions that define our most profound mysteries.” –The Washington Post
  
“The beauty of [In Paradise] comes in [Matthiessen’s] powerful descriptions. With his command of the language, he can add something new and profound to that vast library of Holocaust literature. In Paradise allows Peter Matthiessen to once again demonstrate that he remains one of our most powerful writers.”–The Miami Herald

“The conflict between the drama of the self and its surrender in the shadow of the Holocaust is Matthiessen's bold subject...powerful.” –New York Review of Books

“Peter Matthiessen's In Paradise is a deeply intelligent study of Holocaust remembrance…bleakly funny… [and] eloquent” –The Wall Street Journal

“A fitting coda to [Matthiessen’s] career… Where better to look for some sort of human essence than in a landscape that embodies us at our worst?...This is the key message of Matthiessen’s life and writing -- that we are intricate, thorny, inconsistent, that the lines between good and bad blur within us, that we are capable of anything. The only choice is to remain conscious, to engage with openness.” –Los Angeles Times

“Written with a young man’s energy, In Paradise possesses an old man’s wisdom, which eschews the presumptions of age and the easy attainment of certitude." –The Daily Beast

“In Paradise is a fitting final addition to Matthiessen's oeuvre, in that it combines moral seriousness and imagination grounded in the world with elegance of expression and a willingness to take risk.” – National Geographic
 
“[In Paradise] … provides rare insight into the dark magnetism of a brutal landmark. What drives a survivor to return? What inspires conflicted visitors to join hands in spontaneous dancing? Matthiessen’s courage and clarity in addressing this topic [were] signal virtues of his career.” –Newsday

“Underpinned by an ambitious, near audacious, storyline… Matthiessen proceeds to set out his fictional stall in deftly assured fashion….[He] combines tactical restraint with lucid, compelling yet almost conversational prose. He has an ability to render a character in a detail or two…All of this craft combines to make much of In Paradise read like a masterclass in fiction…stunning.” –The Irish Times

“Affecting and powerful… In Paradise gets at the heart of the defining tragic enigma of the 20th century… [a] complex and worthy adieu.” –Jane Smiley, The Guardian

“A moving valedictory for one of America’s most wide-ranging and poetical writers… Matthiessen’s novel embraces humanity’s endless capacity to heal and reinvent itself.” – Financial Times

“In Paradise is…contemplative and moving, and in its haunting story of Holocaust survivors who revisit Auschwitz, we find one of the last century’s greatest authors penning a book worthy of his legacy.” –Grantland

“Matthiessen’s writing flexes the same kind of muscularity as others of his generation—Vonnegut, Styron, Doctorow—but his devotion to Zen Buddhism results in a spiritual journey that’s palatable even to the non-spiritual… [his characters] are fully realized people, and within them are the kernels of horror and joy shared by all of humanity” –A.V. Club

“Matthiessen can write with ecstatic beauty… In his new novel, In Paradise, he takes what may be his deepest look yet into the abyss…Profound and fiercely fresh.”–Tampa Bay Times

"An ambitious tale that tries to do nothing less than achieve some understanding of 20th century Europe’s defining event, the Holocaust.”–Buffalo News

“An eloquently written and thought-provoking novel… In Paradise demonstrates that Peter Matthiessen remained a vital part of America’s contemporary literary scene, an unflinching original who continued to write provocative narratives.” –Counterpunch

“Short and austere… Clements’ story and those of the others are anguished inquiries, harrowing reassessments and attempts — emotional, artistic and spiritual — to grasp the ungraspable.” –Minneapolis Star Tribune

“[In Paradise] deftly and ruthlessly pursues the battles that we face, both individually and also in dialogue with others, when we try to engage with horrors that can never be named.”–The Jewish Book Council

“An earnest, informed, often insightful and…subtle novel.” –Christian Science Monitor 

“Contains some of the most frightening and passionate writing of Matthiessen’s long career … With In Paradise, Peter Matthiessen has created philosophical and moral cacophony of lasting worth and, indeed, of a strange power. It belongs on the shelf beside At Play in the Fields of the Lord, Far Tortuga, and Shadow Country. Of how many books can that be said?”–Open Letters Monthly

“The two-time National Book Award–winner doesn’t shy away from boldly tackling the most profound of subjects… Matthiessen expertly raises the challenges and the difficulties inherent in addressing this subject matter, proving…that the creation of art “is the only path that might lead toward the apprehension of that ultimate evil . . . [that] the only way to understand such evil is to reimagine it.” –Booklist (starred review)

"Not a mere recounting but a persuasive meditation on Auschwitz’s history and mythology...Matthiessen uses scenes of confrontation, recollection, bitterness, and self-examination to trace aspects of culture that led to the Holocaust and that still reverberate today."
–Library Journal (starred review)

"Matthiessen…ponders Auschwitz decades after the Holocaust, in a novel that’s philosophical, mordant and surprisingly romantic…An admirable…study of the meaning of survivorship." –Kirkus Reviews

Most helpful customer reviews

241 of 246 people found the following review helpful.
Wild in our breast for centuries
By Daniel Myers
It’s a more than daunting task to review this work by Peter Matthiessen, whom I and many others regard as one of the two or three finest living American writers: A work set in Auschwitz during the 1990s whose main character, Clements Olin, an alter ego of the author himself, who comes, primarily, as it turns out, to see if he can discover anything about the woman who was his mother. But that’s not what makes it hard to review. Everyone who attends this gathering to “bear witness” is spiritually stripped bare during the novel and taken to task for sentimentality, lies and sloppy thinking, including: American Jews, Israeli Jews, Poles, Roman Catholics, Muslims, Auschwitz survivors and, not least, Zen adherents such as Clements Olin himself. The very term “bear witness” is taken to task as rank hypocrisy and sentimentalism, mainly by the character known through most of the book as Earwig. Every participant has his or her perversities, hatreds, deep character flaws. There is an entire chapter entitled “Dancing At Auschwitz” concerning a dance held by some of the participants in the “bear witness” gathering and the repercussions and recriminations that follow it. The very title of the chapter is bound to throw many off, never mind the contents. About these things, all I can do is let the prospective reader know what to expect. Pray, don’t approach the book with a cocksure attitude towards the Holocaust, save that it happened. The only ones - and none of them are at the gathering - who come across as thoroughly in the wrong are those who deny that the genocide took place.

So, you’re forewarned about all that. The strengths of the book, it seems to me, remain Matthiessen’s fearless, virtuosic writing and what to me is the pith of the novel, encapsulated in Anna Akhmatova’s poem which serves as the epigraph to the book which ends::

“- something not known to anyone at all
But wild in our breast for centuries.”

Neither the poet nor Clements Olin can give this thing a name, but it has to do with something deep in the heart of man, something to do with falling in love, something so akin to to despair, that it might be called despair’s obverse side. But this meditation on human heartbreak and loss, on all the genocides which have happened, which are happening and which shall happen in mankind’s sojourn on the Earth is not for the sappy nor for those who have some Manichean view of the universe. If you’re absolutely sure that you’re in the right, this book will flay you alive.

I don’t think I’m giving anything away by apprising the would-be reader that the book does not end on a cheerful note, but rather a heartbroken one. Still...in the penultimate scene, Clements visits a Polish cathedral, famed for its stained glass, and is alone in it during a thunderstorm:

“In the high windows, ice blues of the firmament pierce wild red cells; all Heaven has been murdered, set afire. The winter sunlight comes and goes, shadows sweep past; the burning panes are lashed by sheets of rain. In that instant, as a sun shaft reignites the colors, the fire blood, the organ shriek, bind his mortal senses hard and tight as a pennant whipped by wind round its pole.”

We have this splendour of prose which, though it leave you feeling as a pennant whipped by wind round its pole, will also leave you in awe that we still have a writer of Matthiessen’s scope and prescience under the sun.

82 of 84 people found the following review helpful.
"No butterflies live here"
By Jim Tenuto
If you read Peter Matthiessen you must have wondered if his obsession with E.J. Watson would ever wane. His decades long examination into the life and death of one of Florida’s most colorful scoundrels and visionaries spanned thousands of pages.

IN PARADISE finds Matthiessen’s talents turned to the Holocaust and the result is a powerful, morally ambiguous examination of our responses to the Shoah. D. Clements Olin is the putative protagonist of the novel, the son of a Polish calvary officer who fled, along with his landed and titled parents, before Germany’s invasion of Poland in the years that preceded World War II. Olin’s mother…well, let’s leave that to the book.

Olin searches for family and emotions. He is a near affectless man, unsuccessful in marriage, marginally competent in his career, which, of course, is academia. Ostensibly he is examining the life of Tadeusz Borowski, a Polish poet who survived the camps only to commit suicide in 1951 three days after the birth of his daughter.

He joins a disparate group that visits Auschwitz and Birkenau. Germans who want to expiate a national guilt, Catholic clergy who bristle at the Church’s blind eye during the Final Solution, Poles who steadfastly claim ignorance of what occurred under their very eyes, and Jews—survivors and others—who return to confirm man’s capacity for evil.

Yet even the survivors are challenged. In surviving the camps many are asked what they had to do to live through the horror. “Reading Borowski was Olin’s first exposure to the swarming scene of terror on this platform, the howls of lost children running everywhere and nowhere ‘like wild dogs,’ the young mother so frantic to be spared that she forsakes the little boy calling Mama! Mama! Who runs behind here (‘Oh no, sir! He’s not mine!’), casting away the last of her humanity for a few more hours of excruciating life.”

The most intriguing character is G. Earwig, an improbably name, “unattached” pilgrim, whose caustic outbursts and outrageous comments, ecumenically directed at everyone, make him the pariah of the group.

The writing about the camps is spare, wintry, a landscape devoid of life. In one of the preserved barracks “a wistful child has scrawled on the wall: ‘No butterflies live here.’” This poignant image is somehow more powerful than the hill of empty shoes or the piles of human hair.

Set in 1996, amidst the turmoil and renewed genocide in Eastern Europe, IN PARADISE offers a bleak, hopeless view of man.

83 of 86 people found the following review helpful.
No recompense, no reward, no compromise
By Thomas F. Dillingham
Readers familiar with Peter Matthiessen's earlier novels will find some qualities that they already value, but in many ways this is a new direction for Matthiessen, an uncompromising and occasionally fierce exploration of the ways human evil flourishes, as well as the bewilderment, even despair, those who try to oppose evil may experience at their repeated failures. Matthiessen quotes a poem by Anna Akhmatova as an epigraph--it begins "Everything is plundered, betrayed, sold,/Death's black wing scrapes the air," and that is fair warning. A visit to Auschwitz--the most notorious in some ways of the Nazi death camps--is not an opportunity to salve one's personal guilt, nor to plump up one's easy conscience and self-esteem, as the central character, Prof. Clements Olin, discovers, to his pain but also, perhaps, toward his enlightenment.

There is nothing simple about this narrative, though the situation can sound simple: Prof. Olin, a student of modern Slavic literature with a special interest in the works that emerged from the Holocaust, arrives in Poland on his way to Auschwitz, where he is to join (more as an observer than participant, or so he thinks) an ecumenical religious group planning to spend days on the selection ramp, meditating and witnessing on behalf of the murdered millions. Olin (whose family name has a history as that of an aristocratic family, Olinsky, who held property in the vicinity of Oswiecim) is also, secretly, in search of information about his mother, who did not leave for America when Olin's father and grandparents fled.

Olin encounters a wide variety of people--a "Nordic-Jew" as his roommate; a group of Zen meditators; Jewish groups from Israel and America, German descendants of SS officers, a Polish priest, a pair of novices aspiring to be nuns, a defrocked monk, and more. The uneasy interactions among these disparate people, occasionally bursting into heated argument as their stereotypic assumptions and prejudices emerge to contradict the official reasons for their presence--to atone for the sins of the Holocaust and to forge unity among the various religious and social views they bring with them. In the cold and oppressive environment of the remains of the death camp, the psychological impact of the memories--both stimulated by documentary films and museum exhibits and also evoked by the feelings of the "presence" of the millions of dead--is heavy and unsettling. Olin, who expects to be engaged at a scholarly or academic level, even in approaching his search for evidence of his mother's fate, undergoes strong challenges to his sense of his self--more than just "identity crisis," the near collapse of his sense of who he is and why he continues to live.

Matthiessen has presented intense and powerful characters in earlier works--Far Tortuga, Killing Mr. Watson, especially--but here he is probing deeper and more painfully into the fundamental questions of the relation between our "selves" and our responsibility for behavior--both our own behavior and that which we witness and either condone or try to ignore or, under some circumstances, stand up, oppose, resist, even attempt to prevent or stop altogether. Part of the testing of those human characteristics in this novel comes from the presence of a Mr. G. Earwig (an assumed name, of course) who purposely separates himself from all the others, mocking, reprimanding, denouncing, deeply insulting the others, calling into question all of their values and characters and assumptions. He is, in this way, a person in the mold of Thersites, the mocking cynic and nihilist who appears in Homer's Iliad, but also, even more destructively, in Shakespeare's Troilus and Cressida. He becomes the dark side of Olin as the narrative progresses, and his presence, and then his life story (which may or may not be true) serve as catalysts for Olin's own crisis of identity.

There are other elements of Olin's story that are better left for the reader to discover. But as my title for this review indicates, there are no easy ways out of the moral challenges and dilemmas these characters face, and no simple resolution. This novel leaves this reader shaken and impressed. Yes, some parts of it are open to question or criticism, but the quibbles are unworthy of mention. Yes, Olin himself reminds us that many have felt that there is an impropriety, an inauthenticity, even an outright dishonesty in writing about the Holocaust by anyone who did not experience and survive it. From that perspective, all others should be silent. But Matthiessen makes a powerful case for the honest and wrenching effort to confront that history, even as one who comes at it from a position of privileged distance, comfort, abstraction and analysis. Certainly this is a novel worth reading, and more than once.

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Clinical Massage Therapy: Understanding, Assessing and Treating Over 70 Conditions, by Fiona Rattray, Linda Ludwig

  • Sales Rank: #370465 in Books
  • Published on: 2000
  • Number of items: 1
  • Binding: Paperback
  • 1178 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
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I highly recommend this for anyone going into the field!

29 of 32 people found the following review helpful.
The Massage Therapy Text You Must Have
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24 of 27 people found the following review helpful.
Too Wordy and unorganized
By Trend
This book is known as the "bible" for Clinical Massage Therapist. For sure, Rattray knows clinical massage, but she doesn't convey it very well in this format. It too wordy...just a bunch of unneccesary info. She really could have gotten to the point and written this book on a lot less paper. You can't find some information contained in the book in the index or table of contents. It's frustrating. You find yourself flipping through a bunch of pages trying to locate material needed. I had to take this book apart and put it into a binder, after getting rid of the excess. The book is thick, bulky and the cover is paper, and not reinforced paper or cardboard. It will not hold up well as a constant reference tool. The paper it's written on is thin. If you purchase it, be prepared to take it apart or be frustrated. You can get this one cheaper than the asking price of these sellers. This book is not for a beginner, unless you have an instructor to guide you.

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Rabu, 05 Oktober 2011

[N241.Ebook] Ebook Download Bullying in the Churches, by Stephen Finlan

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Bullying in the Churches, by Stephen Finlan

Do bullies have free rein in our churches? Who are the bullies? What is scapegoating? Is it possible to practice the mercy and forgiveness demanded by Gospel ethics while also protecting people from emotional and professional damage? These are some of the questions that Stephen Finlan seeks to answer, looking for an ethic of behavior that is both spiritually valid and psychologically wise. He seeks responses to bullying that are both "wise" and "harmless" (Matt 10:16), that do not leave people helpless against the cruelty of church bullies. Bullying has become a major concern in schools and workplaces, but the church sometimes lags behind the secular workplace in its ethics.

  • Sales Rank: #464417 in Books
  • Published on: 2015-06-04
  • Released on: 2015-06-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .28" w x 5.50" l, .0 pounds
  • Binding: Paperback
  • 100 pages

Review
''Steve Finlan comes to this serious problem of bullying in the church with the power of Jesus' ethical teaching, with revealing psychological insights, and with his own tenacious defense of those victimized in congregations. Thoughtful readers will be well fortified by harkening to what he provides us.''
--Robert L. Randall, clinical psychologist, United Church of Christ minister, and author of Pastor and Parish --Wipf and Stock Publishers

About the Author
Stephen Finlan was the pastor at Mathewson Street United Methodist Church in Providence, Rhode Island, for three years. He is now with the United Church of Christ. Dr. Finlan is the author of Problems with Atonement (2005) and The Family Metaphor in Jesus' Teaching (2013), and the coeditor of Theosis: Deification in Christian Theology, Vol. 1 (2006). He taught at seminaries and universities from 1998 through 2011.

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[M177.Ebook] Fee Download The Scenography of Josef Svoboda, by Jarka. Burian

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The Scenography of Josef Svoboda, by Jarka. Burian

Book by Burian, Jarka.

  • Sales Rank: #1227824 in Books
  • Brand: Brand: Wesleyan
  • Published on: 1974-03-01
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 224 pages
Features
  • Used Book in Good Condition

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10 of 11 people found the following review helpful.
A master of design
By A Customer
Svoboda, who died in 2002, was one of the most innovative and influential stage designers of the 20th century. He designed more than 700 theatrical productions in his lifetime and founded the Czech school of theatrical performance known as Laterna Magica or Magic Lantern. He came to Western attention at the Brussels Expo of 1958, with "Laterna Magika," a production with director Alfred Radok that combined film, sound, light, mime and dance. His designs made extensive use of light to heighten dramatic effect -- he was quoted as saying, "Light is a material I love. You cannot create stage space without light." His scenography was sought for opera performances in New York's Metropolitan Opera, London's Covent Garden and La Scala in Milan. He continued working until his death, and revolutionizing stage lighting techniques with a combination of slide and film projections, laser beams and holograms.
This book has multiple pictures and sketches of groundplans and architecture for his early productions and is highly recommended as an introduction to the techniques and philosophy of a modern master of stagecraft.

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Minggu, 02 Oktober 2011

[L782.Ebook] PDF Download Movement Functional Movement Systems: Screening, Assessment, Corrective Strategies, by Gray Cook, Lee Burton, Kyle Kiesel, Greg Rose, Milo

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Movement Functional Movement Systems: Screening, Assessment, Corrective Strategies, by Gray Cook, Lee Burton, Kyle Kiesel, Greg Rose, Milo

Movement is a vivid discovery, a fundamental and explicit teaching in which the return to basics takes on a whole new meaning. In it, author Gray Cook crosses the lines between rehabilitation, conditioning and fitness, providing a clear model and a common language under which fitness and rehabilitation professionals can work together. By using systematic logic and revisiting the natural developmental principals all infants employ as they learn to walk, run and climb, Gray forces a new look at motor learning, corrective exercise and modern conditioning practices. The discoveries, lessons and approaches you'll learn * How to view and measure movement quality alongside quantity * How to ascertain dysfunctional patterns with the Functional Movement Screen * What clinicians need to know about the Selective Functional Movement Assessments * When to apply corrective strategies and how to determine which strategies to use * How to map movement patterns and understand movement as a behavior and not just as a mechanical idea This book is not simply about the anatomy of moving structures. Rather, it serves a broader purpose to help the reader understand authentic human movement, and how the brain and body create and learn movement patterns. Our modern dysfunctions are a product of our isolated and incomplete approaches to exercise imposed on our sedentary lifestyles. A return to movement principles can create a more comprehensive exercise and rehabilitation model, a model that starts with movement.

  • Sales Rank: #79149 in Books
  • Published on: 2011
  • Original language: English
  • Dimensions: 10.91" h x .75" w x 8.31" l, .84 pounds
  • Binding: Paperback
  • 416 pages

Review
"Gray's premise is beautiful in its simplicity: Training movement can fix muscles, but training muscles rarely fixes movement. Since all of sport is movement, his 80/20 approach is then astounding in its effectiveness. For the time invested, the FMS and its cousins are the best tools I've seen for producing bullet-proof athletes and pain-free non-athletes in record time." Tim Ferriss, author of the #1 NY Times bestseller, The 4-Hour Workweek Exercise "We have integrated many of Gray's movement principles and corrective strategies into our programs to help accomplish our mission of preserving and maintaining the Commander s combat power. The FMS screening and assessment tools are very useful in establishing the baseline for our performance training system." Mike Strock, US NAVY, Human Performance Consultant "Once a decade comes out a book that you will keep reading, rereading, and crowding with notes until it falls apart. Then you buy a new copy and enthusiastically start over. In the 1990s it was Verkhoshansky and Siff's 'Supertraining.' In the 2000s McGill's 'Ultimate Back.' Enter the 2010s and Cook's 'Movement.' It is a game changer." Pavel Tsatsouline, author of Enter the Kettlebell! --Pavel Tsatsouline, author of Enter the Kettlebell!

About the Author
Gray Cook, MSPT, OCS, CSCS, is a practicing physical therapist and orthopedic-certified specialist, and is certified as a strength and conditioning specialist, as an Olympic weightlifting coach and as a kettlebell instructor. The founder of Functional Movement Systems, Cook lectures extensively on the concept of movement pattern screening and assessment. His work and ideas are at the forefront of fitness, conditioning, injury prevention and rehabilitation. His first book, Athletic Body in Balance, continues to be a bestseller, and his lecture and workshop instructional DVDs are leaders in the field of rehabilitation and training techniques for therapists, coaches and personal trainers.

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4 of 4 people found the following review helpful.
not for the amateur...not for self-help
By Wally s
I am guessing this is a good book for the professional. I found it very dense and difficult to read -- I am not a professional in this field, only a well educated (I have an doctorate degree), fairly well versed amateur athlete, and found this above my head.
there are 6 movements used in the evaluation. two of these: the overhead squat and mobility reaching movement (touch your hands behind your back) I never would have passed -- nor would my brother when he was competing nationally in Judo, another, the straight leg movement pattern I am not sure if I would have ever passed (again, I know my brother wouldn't have)
I purchased this book while looking for therapeutic means of dealing with degenerative disk and scoliosis, and still competing in powerlifting (age 59)....I started it with enthusiasm, but felt disappointed.

4 of 4 people found the following review helpful.
Simple and powerful ... with rapid results!
By Charles Norman
This book is indispensable for getting rid of shoulder pain. Gray Cook suggests performing crawling exercises to help correct all shoulder issues i.e. rotator cuff injury, shoulder impingement, thoracic outlet syndrome, etc). Crawling exercises were first developed by Dr. Vaclav Vojta in the 1950's and have been used ever since to treat babies born with cerebral palsy. I've been doing these crawling exercises and, in my opinion, they are far more effective than the traditional exercises for rotator cuff injury prescribed by physical therapists. I highly recommend this book, but I suggest starting with another book first: "Corrective Exercise Solutions to Common Shoulder and Hip Dysfunction" by Evan Osar. The book by Evan Osar is much more specific and shows how to progress through different types of crawling exercises. On a side note, if you have pain in any part of your body (other than your shoulder), I highly recommend a book called "The Egoscue Method of Health Through Motion (a yoga-based method). In two months, it cured the carpal tunnel, tennis elbow, and shoulder pain that I had suffered from for over 30 years. In reading the boook, I found that most pain in our bodies is caused by poor posture, prolonged sitting, and lack of exercise. "The Egoscue Method of Health Through Motion" helped me to correct all of my postural issues (a lower right shoulder, an elevated and torqued right hip, cartilage damage in my knees, over-pronating ankles, and fallen arches) in two months.

0 of 0 people found the following review helpful.
Book contains great insights on dynamic nonlinear muscular engagement and on creating new neural pathways.
By mandalarunning
I highly recommend this book for those who want to find new insights on ways to critique their athletic performance and improve their overall well-being. Both my long-distance running and yoga postural work is on a new and better qualitative plateau through implementing his approach on regaining fundamental movement skills through intelligent and dynamic whole-body exercises. I especially appreciate his philosophical discourse on human development and self-limiting exercises.

I now use barefoot running as my default way to run. I happily engage in those mindful 'tune-ups' and energetic 'test runs' because I can see real improvements. I use my barefoot running and yoga postural work to gain new insights on how they compliment and improve each other.

I have more understanding of my dysfunctions by studying this book. My guess is postural refinements can be made by everyone no matter how good these patterns may be as long we appreciate and respect nature's gift to us,'movement'. Cook is especially aware of creating neural pathways when automatic resetting of fundamental movement skills fails to spontaneously emerge.

I also like his pithy saying such as: Move well and move often...and don't build sports specific training on fundamental movement dysfunctions.

New York Times writer Broad would not be so negatively criticized by the yoga community at large if they could temper their critiques by first evaluating their own and their students' basic movement skills to see how 'authentic' they really are, After all, Dr Loren Fishman during his webinar at "Yoga-U Online" mentions how injuries while doing 'Hero Pose' are mostly incurred by yoga teachers themselves.

Postures that injure the hamstring tendon at the sit-bone are well known to be epidemic in the yoga community. Gray Cook's and Doug Keller's insights on muscular engagement and whole body movements go a long way to both identify postural problems and apply remedial techniques to both heal and regain better postural health for both our sports and 'practices' and for our everyday movements in life.

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